The Sombor National Theatre\/The Serbian National Theatre, Novi Sad<\/p>\n
Igor Vuk Torbica\u2019s authorial project\u00a0 written in accordance with the motifs of the original play by Moliere-Tartuffe<\/em><\/strong><\/p>\n Tartuffe \u2013 comical represented as a part of the classical <\/strong><\/p>\n Author and director: Igor Vuk Torbica<\/p>\n Scenography: Andreja Rondovi\u0107<\/p>\n Costume design: Jelisaveta Tati\u0107 \u010cuturilo<\/p>\n Composer: Vladimir Pejkovi\u0107<\/p>\n Cast: Sa\u0161a Torlakovi\u0107, Hana Selimovi\u0107, Ninoslav \u0110or\u0111evi\u0107, Tijana Markovi\u0107\/Danica Nikoli\u0107, Marko Markovi\u0107, Biljana Keskenovi\u0107, Danica Gruba\u010dki, Marko Savi\u0107, Du\u0161an Vuka\u0161inovi\u0107, Nemanja Baki\u0107, Milorad Kapor, Dragana \u0160u\u0161a<\/p>\n <\/p>\n Glimmering in the darkness<\/p>\n The new version of the play Tartuffe, Ivan Vuk Torbica\u2019s authorial project, premiered in Sombor. It is the co-production of the Serbian National Theatre(Novi Sad) and the Sombor National Theatre. Taking as the starting point Molier\u2019s \u00a0exquisite comedy that ruthlessly takes the mask off the hypocritical society, Igor Vuk Torbica created a brilliant, precise, truthful and completely contemporary play. The play doesn\u2019t skip anyone in its critique. It targets the men\u2019s inconsistent morals, irresponsible gullibility and the agreement to the unacceptable way of life.<\/p>\n The play opens with the bright lights shining on the auditorium. The actress Hana Selimovi\u0107, impersonating Dorina, addresses the public directly. Her performance is on one hand spontaneous and delicately attractive in terms of the comic effect while on the other it is exposing to the \u00a0very core. From the very beginning the actress establishes a key direct communication with the audience and will \u00a0\u00a0continue in this manner to the very end of the play. This makes the audience an inseparable part of it and also in some way responsible for the complete disarray ensuing afterwards. The whole ensemble is convincing in impersonation and the performance as such is truthful, precise, multi-layered and subtle. The play on the whole is borderline between irony and tragedy. Sa\u0161a Torlakovic is magnificent as Tartuffe who is\u00a0 secretly manipulative with Mephistophelian sweetness and seductiveness. The scene design is precise when it comes to functionality and is in sync with the mood of the performance. The events are presented as a form of a spectacle that has a shiny surface but is rotten underneath. Tartuffe\u2019s taking over the stage reminds one of pompous realities. The letters in the background form his name, shining like town lights in the darkness. When the horrors of Tartuffe\u2019s vicious bewitching of Orgon\u2019s family reach their boiling point, the part that as opposed to Moliere, Torbica stretched to a great degree, there comes the confetti. They become a strong metaphorical mark of a kitsch in today\u2019s society. It is in fact a superficial glow trying to camouflage the fact that modern people have become zombies. The Tartuffe running in Sombor subtly exposes the omnipresent social lies. It is an extremely socially engaged play with a carefully thought through and highly aesthetic form.<\/p>\n Source: \u201cRTS\u201d 1 Culture News Broadcast-February 11, 2019.<\/em><\/p>\n","protected":false},"author":3,"featured_media":62805,"menu_order":0,"template":"","meta":[],"tags":[],"event_type":[186],"event_type_2":[],"class_list":["post-70449","ajde_events","type-ajde_events","status-publish","has-post-thumbnail","hentry","event_location-izmedju-crkava","event_type-teatar","description-off"],"_links":{"self":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/ajde_events\/70449","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/ajde_events"}],"about":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/types\/ajde_events"}],"author":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/users\/3"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/media\/62805"}],"wp:attachment":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/media?parent=70449"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/tags?post=70449"},{"taxonomy":"event_type","embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/event_type?post=70449"},{"taxonomy":"event_type_2","embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/event_type_2?post=70449"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}