Director and writer: Haris Pa\u0161ovi\u0107<\/p>\n
Costume design: Haris Pa\u0161ovi\u0107 i Minja Davidovi\u0107<\/p>\n
Scenography: Ivana Jan\u010di\u0107<\/p>\n
Stage speech coaching :Dr. Dejan Sredojevi\u0107<\/p>\n
Choreography: Larisa Lipovac Navojec<\/p>\n
Music: Dino \u0160ukalo<\/p>\n
The accompanying piano music: Matija Mol\u010danov<\/p>\n
Cast: Gordana \u0110ur\u0111evi\u0107 Dimi\u0107, Lidija Stevanovi\u0107, Sanja Risti\u0107 Krajnov, Jelena Antonijevi\u0107, Mina Pavlica, Marija Felde\u0161i, Milan Kova\u010devi\u0107, Marko Savkovi\u0107, Vuka\u0161in Ran\u0111elovi\u0107, Aljo\u0161a \u0110idi\u0107, Aleksandar Sarapa i Rade Perovi\u0107<\/p>\n
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The play came to be as a result of the work on the project \u201cEnabled Theatre\u201d, co-financed by the European Union as a part of the \u201cCreative Europe Programme\u201d.While trying to realize their original idea, the artistic and project team took the opportunity to familiarize themselves with the work of certain institutions that are of paramount importance and should be given even more attention in the future. In other words , they participated\u00a0 in the workshops in the Budva Daily Centre \u201c Biseri\u201d, the\u00a0 \u0160OSO\u00a0 \u201c Milan Petrovi\u0107\u201d Novi Sad and also in the Sarajevo institutions that are in charge of caring for the persons\u00a0 with disabilities: the JU \u201c Pazari\u0107\u201d and\u00a0 JU \u201cMjedenica\u201d Institute. The prevailing idea was for the team to understand on the fundamental and human level the lives of the users of these institutions and their families as well as the difficulties they face in everyday life.<\/p>\n
On\u00a0\u00a0 his personal experience and the idea to tackle this important topic through the artistic expression, the writer-director Haris Pa\u0161ovi\u0107 says the following: \u201cI grew up in Sarajevo near a school for the persons with disabilities. Those were my peers whose world was intertwined with mine on a daily basis. What I mean by this is that me and my friends would always greet them and their parents who walked them to school. They would sometimes even visit us in our homes. That was what I would call a spontaneous, subconscious \u201cinclusion\u201d. In my neighborhood also lived a family with parents who had a speaking disability while the children didn\u2019t.\u00a0 Another neighbor had a walking disability. My street was really a world of its own, you could see a mixture of different people and personalities there. The rich, the poor, different nationalities, the women who brought fresh milk to us in the morning and even a pick-pocket were all a part of our community. I think that this diversity greatly influenced the way I see the world even now. The thought of directing a play about the life of the persons with disabilities was on my mind for a very long time and I finally managed to realize my idea. What I wouldn\u2019t like is for it to be understood as an activist play. My goal was to dig deeper into their world which is truly fascinating and understand them at a more metaphysical level rather than the social or psychological one only\u201d.<\/p>\n
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