Direction: Milan Ne\u0161kovi\u0107<\/p>\n
Dramaturgy: Aleksandar Vasiljevi\u0107<\/p>\n
Stage design: Dragana Purkovi\u0107 Macan<\/p>\n
Costume design: Marija Tav\u010dar<\/p>\n
Music concept, the choice of music and arrangements: Boris \u0160avija<\/p>\n
Music consultant: Du\u0161an Pokraj\u010di\u0107<\/p>\n
Stage movement: Emir Fejzi\u0107<\/p>\n
Cast: Danilo Kerkez, Ilija Ivanovi\u0107, Vojin Topalovi\u0107, Senad Milanovi\u0107, Anando \u010ceni\u0107, An\u0111ela Rako\u010devi\u0107, Dragana Mari\u0107, An\u0111ela Tasi\u0107, Dana Poletan, Sandra Pravuljac, Boris \u0160avija, Vladimir \u0110or\u0111evi\u0107<\/p>\n
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Milena Markovi\u0107\u2019s 2002 play Tracks<\/em><\/strong> is one of those dramas that withstand the test of time, maintaining its relevance over many years. Through Milena\u2019s authentic approach to dramatic structure, which spans eleven scenes, she manages to successfully \u00a0portray three distinct periods: the pre-war, wartime and post-war one. And \u00a0it is precisely with the use of these three periods that, in a brilliant manner, she succeeds in \u00a0providing us with a wide array of characters. What is specific of her is that each of the characters\u2019 developmental arcs is dependent, in the most part, on \u00a0the circumstances they come face to face with along the way. Synthesizing a plethora of dramatic situations\u00a0 within a narrative this complex, offers one the unique opportunity for exploring \u00a0the anxieties continually afflicting the protagonists from their teenage years and early adolescence, all the way to the more mature years. Are those inner emotional scars no different than the physical ones, having been inflicted on us simply because someone dictated that we shall stand divided, denying in \u00a0the process the fact that we are \u00a0all humans of flesh and blood? The question of will \u00a0we ever be \u00a0granted as much as an opportunity to answer for and redeem our sins still remains. Has God finally looked upon us, as the Hero recounts in this play? This is a story which tackles the topic of four different types of love, interconnected with \u00a0hope which stems from \u00a0great helplessness, confusion and irrationality, all unmistakably present at the climax of each and every scene. And that hope, in fact, always holds a little trickle of light reserved for change. What could be gathered from all this is the notion that not all tracks lead to ruin, but some are just the path to enlightenment.<\/p>\n In the words of Aleksandar Vasiljevi\u0107, responsible for the play\u2019s dramaturgy<\/em><\/p>\n <\/p>\n