{"id":56914,"date":"2018-09-17T22:24:31","date_gmt":"2018-09-17T20:24:31","guid":{"rendered":"https:\/\/gradteatar.me\/drama-velikog-spanskog-pesnika-i-ljubitelja-slobode\/"},"modified":"2020-06-27T13:23:06","modified_gmt":"2020-06-27T11:23:06","slug":"drama-velikog-spanskog-pesnika-i-ljubitelja-slobode","status":"publish","type":"post","link":"https:\/\/gradteatar.me\/en\/drama-velikog-spanskog-pesnika-i-ljubitelja-slobode\/","title":{"rendered":"Drama velikog \u0161panskog pesnika i ljubitelja slobode"},"content":{"rendered":"<p>Utorak, 18. septembra 2018, scena \u201ePera Dobrinovi\u0107\u201c, 19.30<\/p>\n<p>\u201eKrvave svadbe\u201c, Federiko Garsija Lorka<br \/>\nKoprodukcija: Srpsko narodno pozori\u0161te i JU \u201eGrad teatar\u201c, Budva<br \/>\nRe\u017eija: Igor Vuk Torbica<\/p>\n<p>Nakon avgustovske premijere u Budvi i jo\u0161 tri tamo\u0161nja izvo\u0111enja (9, 10, 11. i 12. avgusta, u okviru XXXII festivala \u201eGrad teatar\u201c), drama \u010duvenog \u0161panskog pisca otvara dramsku sezonu SNP-a! Predstavu Krvave svadbe, u re\u017eiji jednog od najnagra\u0111ivanijih i najanga\u017eovanijih reditelja u regionu Igora Vuka Torbice, festivalska publika u Crnoj Gori je ispratila ovacijama i vi\u0161eminutnim aplauzima, a kritika je ocenila kao magi\u010dno estetizovanu, vanserijsku predstavu.<\/p>\n<p>\u201eIako tragi\u010dna u svojoj osnovi, Lorkina drama u ovoj magi\u010dno estetizovanoj, vanserijskoj predstavi Igora Vuka Torbice proizvodi neobi\u010dnu vedrinu. Uprkos tragi\u010dnom raspletu, istinska ljubav je razbila neprirodno podignute zidove, ozna\u010davaju\u0107i trijumf slobode.\u201c \u2013 Ana Tasi\u0107, \u201ePolitika\u201c<\/p>\n<p>Scenograf je Branko Hojnik, kostimograf Jelisaveta Tati\u0107 \u010cuturilo, kompozitor Vladimir Pejakovi\u0107, dizan svetla Milica Stoj\u0161i\u0107, a uloge tuma\u010de glumci Srpskog narodnog pozori\u0161ta i glumci iz Crne Gore. Igraju: Varja \u0110uki\u0107 (Majka), Milica Gruji\u010di\u0107 (Verenica), Ivana Mrvaljevi\u0107 (Ta\u0161ta), Pavle Popovi\u0107 (Leonardo), Branka Stani\u0107 (Leonardova \u017eena), Vuka\u0161in Ran\u0111elovi\u0107 (Verenik), Miroslav Fabri (Otac), Draginja Voganjac (Suseda i prosjakinja \/ Smrt), Maja Stojanovi\u0107 (Slu\u017eavka), Du\u0161an Vuka\u0161inovi\u0107 (Prvi drvose\u010da), Filip \u0110ureti\u0107 (Drugi drvose\u010da) i Nenad Pe\u0107inar (Mesec).<br \/>\nF. G. Lorka (1898-1936) \u010dita se i re\u017eira i danas, 120 godina od ro\u0111enja.<\/p>\n<p>Novosadska premijera je u utorak, 18. septembra, a reprize su 19, 20. i 21. septembra, na sceni \u201ePera Dobrinovi\u0107\u201c s po\u010detkom u 19.30. Publiku o\u010dekuju jo\u0161 tri izvo\u0111enja u SNP-u: 29. i 30. novembra i 1. decembra.<\/p>\n<p>www.snp.org.rs<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Utorak, 18. septembra 2018, scena \u201ePera Dobrinovi\u0107\u201c, 19.30 \u201eKrvave svadbe\u201c, Federiko Garsija Lorka Koprodukcija: Srpsko narodno pozori\u0161te i JU \u201eGrad teatar\u201c, Budva Re\u017eija: Igor Vuk Torbica Nakon avgustovske premijere u Budvi i jo\u0161 tri tamo\u0161nja izvo\u0111enja (9, 10, 11. i 12. avgusta, u okviru XXXII festivala \u201eGrad teatar\u201c), drama \u010duvenog \u0161panskog pisca otvara dramsku sezonu&hellip;<\/p>\n","protected":false},"author":1,"featured_media":55537,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[229],"tags":[],"class_list":["post-56914","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhiva-novosti-2018-en","category-229","description-off"],"_links":{"self":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/56914","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/comments?post=56914"}],"version-history":[{"count":1,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/56914\/revisions"}],"predecessor-version":[{"id":59473,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/56914\/revisions\/59473"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/media\/55537"}],"wp:attachment":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/media?parent=56914"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/categories?post=56914"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/tags?post=56914"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}