{"id":69938,"date":"2024-04-04T10:29:30","date_gmt":"2024-04-04T08:29:30","guid":{"rendered":"https:\/\/gradteatar.me\/predstava-svet-mogucnosti-nastala-po-projektu-enabled-theatre-kofinansiranom-od-strane-evropske-unije-kroz-program-kreativna-evropa\/"},"modified":"2024-04-05T08:05:45","modified_gmt":"2024-04-05T06:05:45","slug":"predstava-svet-mogucnosti-nastala-po-projektu-enabled-theatre-kofinansiranom-od-strane-evropske-unije-kroz-program-kreativna-evropa","status":"publish","type":"post","link":"https:\/\/gradteatar.me\/en\/predstava-svet-mogucnosti-nastala-po-projektu-enabled-theatre-kofinansiranom-od-strane-evropske-unije-kroz-program-kreativna-evropa\/","title":{"rendered":"The premiere of the play Svet Mogu\u0107nosti (The World of Opportunities) in Novi Sad"},"content":{"rendered":"

The play Svet mogu\u0107nosti (The World of Opportunities) is written and directed by Haris Pa\u0161ovi\u0107. It is the co-production of the JU \u201cTheatre City\u201d Budva , the Serbian National Theatre located in \u00a0Novi Sad, the\u00a0 Sarajevo \u201cEast -West\u201d Centre and the Dance Academy \u201c Tala\u201d\u00a0 from Zagreb. It will premiere on the stage of the Serbian National Theatre on Saturday the sixth of April at 19:30 pm. in Novi Sad.<\/p>\n

\"\"The play came to be as a result of the work on the project \u201cEnabled Theatre\u201d, co-financed by the European Union as a part of the \u201cCreative Europe\u00a0 \u00a0\u00a0\u00a0Programme\u201d.While trying to realize their\u00a0 original idea, the artistic and project team took the opportunity to familiarize themselves with the work of certain institutions that are of paramount importance and should be given even more attention in the\u00a0 future. In other words , they participated \u00a0in the workshops in the Budva Daily Centre \u201c Biseri\u201d, the \u00a0\u0160OSO\u00a0 \u201c Milan Petrovi\u0107\u201d Novi Sad and also in the Sarajevo institutions that are in charge of caring for the persons \u00a0with disabilities: the JU \u201c Pazari\u0107\u201d and \u00a0JU \u201cMjedenica\u201d Institute. The prevailing idea was for the team to understand on the fundamental and human level the lives of the users of these institutions and their families as well as the difficulties they face in everyday life.<\/p>\n

On\u00a0\u00a0 his personal experience and the idea to tackle this important topic through the artistic expression, the writer-director Haris Pa\u0161ovi\u0107 says the following : \u201cI grew up in Sarajevo near a\u00a0 school for the persons with disabilities. Those were my peers \u00a0whose world was intertwined with mine on a daily basis.What I mean by this \u00a0is that me and my friends would always greet them and their parents who walked them to school. They would sometimes even visit us in our homes. That was what I would call a spontaneous, subconscious \u201cinclusion\u201d.In my neighborhood also lived a\u00a0 family with \u00a0parents who had a speaking disability while the children didn\u2019t. \u00a0Another neighbor had a walking disability.My street was really a world of its own, you could see\u00a0 a mixture of different people and personalities there.The rich,the poor,different nationalities, the women who brought fresh milk to us\u00a0 in the morning and even a pick-pocket were all a part of our community. I think that this diversity greatly influenced the way I see the world even now. The thought of directing a play about the life of the persons with disabilities was on my mind for a very long time and I finally managed to realize my idea. What I wouldn\u2019t like is for it to be understood as an activist play. My goal was to dig deeper into their world which is truly fascinating and understand them at a more\u00a0 metaphysical \u00a0level rather than \u00a0the social or\u00a0 psychological one only\u201d.<\/p>\n

\"\"Along with the writer-director Haris Pa\u0161ovi\u0107 who is also in charge of costume design together with Minja Davidovi\u0107, the authorial team involves: Ivana Jan\u010di\u0107 (scenography), Dr. Dejan Sredojevi\u0107 (stage speech), Larisa\u00a0\u00a0\u00a0\u00a0 Lipovac (choreography), Matija Mol\u010danov from Budva (piano) and Dino \u0160ukalo (music for the play).<\/p>\n

Cast:Gordana \u00a0\u00d0ur\u0111evi\u0107 Dimi\u0107, Lidija Stevanovi\u0107, Sanja Risti\u0107 Krajnov,Jelena Antonijevi\u0107, Mina Pavlica, Marija Felde\u0161i, Milan Kova\u010devi\u0107, Marko Savkovi\u0107,Vuka\u0161in\u00a0\u00a0\u00a0\u00a0 Ran\u0111elovi\u0107, Aljo\u0161a \u00d0idi\u0107, Aleksandar Sarapa i Rade Petrovi\u0107.<\/p>\n

The play Svet Mogu\u0107nosti (The World of Opportunities) will also have its premiere during the upcoming XXXVIII edition of the \u201cTheatre City\u201d festival in Budva, in the venue between the churches, on the fifteenth and sixteenth of July, 2024.<\/p>\n

The \u201cTheatre City\u201d press-office<\/p>\n

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The play Svet mogu\u0107nosti (The World of Opportunities) is written and directed by Haris Pa\u0161ovi\u0107. It is the co-production of the JU \u201cTheatre City\u201d Budva , the Serbian National Theatre located in \u00a0Novi Sad, the\u00a0 Sarajevo \u201cEast -West\u201d Centre and the Dance Academy \u201c Tala\u201d\u00a0 from Zagreb. It will premiere on the stage of the…<\/p>\n","protected":false},"author":3,"featured_media":69937,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[307,266],"tags":[],"class_list":["post-69938","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhiva-novosti-2024","category-enabled-novosti-en","category-307","category-266","description-off"],"_links":{"self":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/69938","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/comments?post=69938"}],"version-history":[{"count":2,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/69938\/revisions"}],"predecessor-version":[{"id":69940,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/69938\/revisions\/69940"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/media\/69937"}],"wp:attachment":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/media?parent=69938"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/categories?post=69938"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/tags?post=69938"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}