The play \u201cEnabled Theatre\u201d by the writer-director Haris Pa\u0161ovi\u0107 has been performed at the \u201cAveirense\u201d Theatre (Aveiro). Having accepted the challenge of being this year\u2019s Portuguese Capital of Culture, the City of Aveiro included the aforementioned play in its \u201cCapital of Culture\u201d programme for the year 2024.<\/p>\n
This theatre piece has been inspired by the children and people living with autism and cerebral palsy\u2019s magnificent inner world and everyday lives.<\/p>\n
The acting ensemble of the play consists of: Gordana\u00a0 \u00d0ur\u0111evi\u0107 Dimi\u0107, Lidija Stevanovi\u0107, Sanja Risti\u0107 Krajnov,Jelena Antonijevi\u0107, Mina Pavlica, Marija Felde\u0161i, Milan Kova\u010devi\u0107, Marko Savkovi\u0107,Vuka\u0161in Ran\u0111elovi\u0107, Aljo\u0161a \u00d0idi\u0107, Aleksandar Sarapa i Rade Perovi\u0107.<\/p>\n
Along with Haris Pa\u0161ovi\u0107, the artistic and authorial team of the play comprises: the scenographer Ivana Jan\u010di\u0107, the composer Dino \u0160ukalo, the choreographer\u00a0 Larisa Lipovac Navojec, the costume designer\u2019s assistant Minja Davidovi\u0107, Matija Mol\u010danov (the accompanying piano music) in addition to Dino Huji\u0107 (video design) and costume designs also by Haris Pa\u0161ovi\u0107.<\/p>\n
The well- renowned Portuguese weekly magazine \u201cSOL\u201d has published an interview with Haris Pa\u0161ovi\u0107 on no less that nine pages, including the front one. The other major interviews have also been published by: The most influential Portuguese\u00a0 daily newspaper-\u201cPublico\u201d, The \u201cGerador\u201d news portal, The Portuguese National radio and other media in Portugal. Haris Pa\u0161ovi\u0107 has also been asked to moderate The New Deal of Arts and Democracy event. This occasion gathered many \u00a0important and well-known guests from Europe who addressed the topic of \u00a0European arts and democracy.<\/p>\n
The play \u201cEnabled Theatre\u201d), shedding more\u00a0 light on the life of the persons with developmental disabilities, has until now been successfully performed in: The Sarajevo National Theatre, The Serbian National Theatre (Novi Sad), The \u201cGavella\u201d Theatre (Zagreb) and The \u00a0\u201cAveirense\u201d Theatre (Aveiro, Portugal).The project, within the constraints of which the play \u201cWorld of Opportunities\u201d is realized, is named \u201cEnabled Theatre\u201d and is the co-production of: The \u201cEast-West\u201d Centre (Sarajevo), The Serbian National Theatre (Novi Sad), The \u201cTheatre City\u201d (Budva) and The\u00a0 Dance Academy \u201cTala\u201d (Zagreb). It is supported by the European Union as a part of\u00a0 the \u201cCreative Europe\u201d\u00a0 programme.<\/p>\n
Source: Klix.ba News Portal <\/em><\/p>\n <\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" The play \u201cEnabled Theatre\u201d by the writer-director Haris Pa\u0161ovi\u0107 has been performed at the \u201cAveirense\u201d Theatre (Aveiro). Having accepted the challenge of being this year\u2019s Portuguese Capital of Culture, the City of Aveiro included the aforementioned play in its \u201cCapital of Culture\u201d programme for the year 2024. This theatre piece has been inspired by the…<\/p>\n","protected":false},"author":3,"featured_media":69974,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[307,262,266],"tags":[],"class_list":["post-70864","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhiva-novosti-2024","category-enabled-en","category-enabled-novosti-en","category-307","category-262","category-266","description-off"],"_links":{"self":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/70864","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/comments?post=70864"}],"version-history":[{"count":3,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/70864\/revisions"}],"predecessor-version":[{"id":70921,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/70864\/revisions\/70921"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/media\/69974"}],"wp:attachment":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/media?parent=70864"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/categories?post=70864"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/tags?post=70864"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}