{"id":72368,"date":"2024-08-03T08:00:15","date_gmt":"2024-08-03T06:00:15","guid":{"rendered":"https:\/\/gradteatar.me\/3-avgusta-u-amfiteatru-manastira-svete-trojice-u-stanjevicima-u-21-cas-premijerno-ce-biti-prikazana-predstava-protekcija\/"},"modified":"2024-08-05T12:00:09","modified_gmt":"2024-08-05T10:00:09","slug":"3-avgusta-u-amfiteatru-manastira-svete-trojice-u-stanjevicima-u-21-cas-premijerno-ce-biti-prikazana-predstava-protekcija","status":"publish","type":"post","link":"https:\/\/gradteatar.me\/en\/3-avgusta-u-amfiteatru-manastira-svete-trojice-u-stanjevicima-u-21-cas-premijerno-ce-biti-prikazana-predstava-protekcija\/","title":{"rendered":"Nu\u0161i\u0107  at the \u201cTheatre City\u201d festival on Saturday, August 3rd"},"content":{"rendered":"<p>On Saturday, <strong>August 3<sup>rd<\/sup><\/strong> at <strong>9PM<\/strong>, one will have a chance to witness the premiere of the play <strong><em>Favoritism<\/em><\/strong>, <strong>at the amphitheater of the \u201cSveta Trojica\u201d Monastery (Stanjevi\u0107i)<\/strong>. The play is adapted and directed by <strong>Milan Ne\u0161kovi\u0107<\/strong>, in accordance with Branislav Nu\u0161i\u0107\u2019s play of the same name. The play is the co-production of the <strong>\u201cTheatre City\u201d Budva<\/strong> and the <strong>Sombor National Theatre<\/strong>. The play <strong><em>Favoritism<\/em><\/strong> is the 82<sup>nd<\/sup> production of the \u201cTheatre City\u201d and it is important to highlight that this is the first time Nu\u0161i\u0107 is a part of the festival.<\/p>\n<p>In the director\u2019s preface, Milan Ne\u0161kovi\u0107 stated the following: \u201cHumor is one of the most complex forms of communication amongst people. Therefore, it is not that common, nor easy to be funny whilst trying to do that on stage doubles the difficulty. Suffice to say, there are many types of humor, capable of producing different kinds of laughter. Nu\u0161i\u0107\u2019s humor, however, is universal. It digs deeper into the character of a nation that hasn\u2019t changed for almost two centuries-and why would it change when it\u2019s doing so well. Protection is one of Branislav Nu\u0161i\u0107\u2019s earliest works. He wrote it while he was in prison, the authoritative eyes of the guards following everything he was writing. Therefore, he was made to tone down his criticism that cost him his freedom in the first place. That is how this heart-warming story, atypical of him, came to be. It is a relatable and tackles the topic of imperfect human character. All the characters are impossible not to like, despite their faults which are, however, not to be overlooked. <em>One of the songs for the play goes-Is this a matter of character or is it a \u00a0mental illness?<\/em> Whatever the answer to this question is, only humor can seemingly save the world-both ours and the one of Nu\u0161i\u0107\u2019s characters. And if we already share the protagonists\u2019 character, let\u2019s share their faith too and wish them good luck. Understandably, the ending signifies finality, and thus can stand beside the word happiness only as an oxymoron. That\u2019s what we want in theatre and that\u2019s what we want from humor. Long live the theatre oxymorons and the human warm-heartedness and humor. As for you, Mr.Nu\u0161i\u0107, I thank you! Happy 160<sup>th<\/sup> birthday!\u201d<\/p>\n<p>Along with <strong>Milan Ne\u0161kovi\u0107<\/strong> ,who was responsible for the adaptation and direction, the authorial team includes: <strong>Biljana Grgur<\/strong> (costume design), <strong>Daniela Dimitrovska<\/strong> (scenographer), <strong>Duda Bur\u017eujka<\/strong> (music for the play), <strong>Sta\u0161a Ble\u010di\u0107<\/strong> (stage movement), <strong>Dr.Dijana Marojevi\u0107<\/strong> (stage speech coaching) and <strong>Ivan Nikolovsk<\/strong>i (assistant scenographer).<\/p>\n<p>Cast<strong>: Ninoslav \u00d0or\u0111evi\u0107, Marija Ma\u0161a Labudovi\u0107, Ivana V.Jovanovi\u0107, Sa\u0161a Torlakovi\u0107, Biljana Keskenovi\u0107, Ana Rudakijevi\u0107, Lazar Nikoli\u0107, Sr\u0111an Aleksi\u0107, Julija Petkovi\u0107, Milo\u0161 Lazi\u0107, Stevan Vukovi\u0107 and Sta\u0161a Ble\u010di\u0107<\/strong>.<\/p>\n<p>Following the premiere, the play protection will also be performed on the<strong> 4<sup>th<\/sup>, 5<sup>th<\/sup> and the 6<sup>th<\/sup> of August.<\/strong><\/p>\n<p>Transportation will be provided for the play\u2019s audience from the bus stop in front of the \u201cTre Canne\u201d Hotel at <strong>7.30 PM<\/strong>. It must be highlighted that there are parking spots in the vicinity of the Monastery.<\/p>\n<p><em>The \u201cTheatre City\u201d Press-Office<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On Saturday, August 3rd at 9PM, one will have a chance to witness the premiere of the play Favoritism, at the amphitheater of the \u201cSveta Trojica\u201d Monastery (Stanjevi\u0107i). The play is adapted and directed by Milan Ne\u0161kovi\u0107, in accordance with Branislav Nu\u0161i\u0107\u2019s play of the same name. The play is the co-production of the \u201cTheatre&hellip;<\/p>\n","protected":false},"author":3,"featured_media":72010,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[307],"tags":[],"class_list":["post-72368","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhiva-novosti-2024","category-307","description-off"],"_links":{"self":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/72368","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/comments?post=72368"}],"version-history":[{"count":1,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/72368\/revisions"}],"predecessor-version":[{"id":72369,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/72368\/revisions\/72369"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/media\/72010"}],"wp:attachment":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/media?parent=72368"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/categories?post=72368"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/tags?post=72368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}