{"id":72895,"date":"2024-08-15T08:25:22","date_gmt":"2024-08-15T06:25:22","guid":{"rendered":"https:\/\/gradteatar.me\/15-avgusta-na-sceni-izmedju-crkava-u-21-cas-krvave-svadbe\/"},"modified":"2024-08-16T12:42:40","modified_gmt":"2024-08-16T10:42:40","slug":"15-avgusta-na-sceni-izmedju-crkava-u-21-cas-krvave-svadbe","status":"publish","type":"post","link":"https:\/\/gradteatar.me\/en\/15-avgusta-na-sceni-izmedju-crkava-u-21-cas-krvave-svadbe\/","title":{"rendered":"The play Blood Wedding by Federico Garcia Lorca to be performed once again at the \u201cTheatre City\u201d festival on August, 15th"},"content":{"rendered":"<p>On Thursday, <strong>August 15<sup>th<\/sup><\/strong> in the venue <strong>Between Churches<\/strong> at <strong>9PM<\/strong>, the audience of the \u201cTheatre City\u201d festival will have a chance to witness the performance of the play <strong><em>Blood Wedding<\/em><\/strong> by <strong>Federico Garc\u00eca Lorca<\/strong>. The play is directed by <strong>Igor Vuk Torbica<\/strong> and is the co-production of the \u201cTheatre City\u201d Budva and the Serbian National Theatre (Novi Sad).<\/p>\n<p>The play <strong><em>Blood Wedding<\/em><\/strong> had its premiere at the XXXII \u201cTheatre City\u201d festival edition, and then continued its successful streak of performances on the various stages of the region. While having its premiere on the co-producer\u2019s stage in 2018, it was also a part of its regular repertoire for the 2018-2019 festival season. The play was also performed at the 23<sup>rd<\/sup> \u201cWithout Translation\u201d Festival (U\u017eice, Serbia), where Milica Gruji\u010di\u0107 received the \u201cArdalion\u201d award for the best female role in <strong><em>Blood Wedding<\/em><\/strong>. It was also a part of the \u201cMimosa Festival\u201d (Herceg Novi) repertoire on the 50<sup>th<\/sup> anniversary of its establishment. Furthermore, after careful deliberation, the audience choose <strong><em>Blood Wedding<\/em><\/strong> as the best play at the Montenegro International Theatre Festival-The Montenegrin Royal Theatre \u201cZetski dom\u201d (Cetinje). Additionally, one had a chance to witness the play being performed at: the 26<sup>th<\/sup> edition of the \u201cPrimorski poletni festival\u201d (Kopar, Slovenia), the \u201cBarski ljetopis\u201d festival and the Mediterranean Theater Festival \u201cPurgatorije\u201d. The play was also made a part of the XXXIII \u201cTheatre City\u201d festival and the Montenegrin Theater Biennial, where Igor Vuk Torbica received an award for the best direction, Varja \u00d0uki\u0107 for the best female role and Vladimir Pejkovi\u0107 for the best composition. Igor Vuk Torbica was also awarded the \u201cTheatre City\u201d prize for his contribution in the domain of theatre creativity for the year 2017-2018. The authorial team also received an award of the Montenegrin Stage Design Biennial for 2022 and that for the play\u2019s overall stage design.<\/p>\n<p>During the premiere of the <strong><em>Blood Wedding<\/em><\/strong>, Torbica explained that when having chosen this text, his primary goal was for the audience to stray away from subjectivity. He wanted for them to let go of all that is conventional and just truly feel this play. He added that Lorca was his first choice, and that not only because of the undeniable leading position in the European and world poetic tradition, but because of him being one of the few authors to have been able to model his poetic expression for theatre use. Furthermore, he added that one could spot some important similarities between the Spanish poetry and linguistic heritage with that of our region. To conclude, Torbica said that Lorca managed to integrate like no other author before, making them equally present and powerful, the three ideological plans: the poetic, authorial and as it seemed ideological one\u00a0 in the form of the long-established artistic tradition, everyday language and personal perspectives.<\/p>\n<p>Along with the director of the play <strong>Igor Vuk Torbica<\/strong>, the authorial team encompasses: <strong>Branko Hojnik<\/strong> (scenography), <strong>Jelisaveta Tati\u0107 \u010cuturilo<\/strong> (costume design), <strong>Vladimir Pejkovi\u0107<\/strong> (composer).<\/p>\n<p>Cast: <strong>Varja \u00d0uki\u0107<\/strong>, <strong>Milica Gruji\u010di\u0107<\/strong>, <strong>Bojana Milanovi\u0107 Popovi\u0107<\/strong>, <strong>Pavle Popovi\u0107<\/strong>, <strong>Branka Ota\u0161evi\u0107<\/strong>, <strong>Vuka\u0161in Ran\u0111elovi\u0107<\/strong>, <strong>Miroslav Fabri<\/strong>, <strong>Draginja Voganjac,<\/strong> <strong>Maja Stojanovi\u0107<\/strong>, <strong>Du\u0161an Vuka\u0161inovi\u0107<\/strong>, <strong>Filip \u00d0ureti\u0107<\/strong> and <strong>Nenad Pe\u0107inar<\/strong>.<\/p>\n<p><em>The \u201cTheatre City\u201d Press-Office<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>On Thursday, August 15th in the venue Between Churches at 9PM, the audience of the \u201cTheatre City\u201d festival will have a chance to witness the performance of the play Blood Wedding by Federico Garc\u00eca Lorca. The play is directed by Igor Vuk Torbica and is the co-production of the \u201cTheatre City\u201d Budva and the Serbian&hellip;<\/p>\n","protected":false},"author":3,"featured_media":72817,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[307],"tags":[],"class_list":["post-72895","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhiva-novosti-2024","category-307","description-off"],"_links":{"self":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/72895","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/comments?post=72895"}],"version-history":[{"count":1,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/72895\/revisions"}],"predecessor-version":[{"id":72896,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/72895\/revisions\/72896"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/media\/72817"}],"wp:attachment":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/media?parent=72895"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/categories?post=72895"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/tags?post=72895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}