{"id":73255,"date":"2024-08-24T11:43:07","date_gmt":"2024-08-24T09:43:07","guid":{"rendered":"https:\/\/gradteatar.me\/25-avgusta-u-amfiteatru-manastira-svete-trojice-u-stanjevicima-sa-pocetkom-u-21-cas-bice-izvedena-predstava-mihael-kolhas\/"},"modified":"2024-08-26T07:33:28","modified_gmt":"2024-08-26T05:33:28","slug":"25-avgusta-u-amfiteatru-manastira-svete-trojice-u-stanjevicima-sa-pocetkom-u-21-cas-bice-izvedena-predstava-mihael-kolhas","status":"publish","type":"post","link":"https:\/\/gradteatar.me\/en\/25-avgusta-u-amfiteatru-manastira-svete-trojice-u-stanjevicima-sa-pocetkom-u-21-cas-bice-izvedena-predstava-mihael-kolhas\/","title":{"rendered":"The last of the newly adapted plays at this year\u2019s \u201cTheatre City\u201d festival, Michael Kohlhaas, will be performed on Sunday, August 25th"},"content":{"rendered":"

On Sunday<\/strong>, August 25th<\/sup><\/strong>, at the amphitheater<\/strong> of the \u201cSveta Trojica\u201d Monastery (Stanjevi\u0107i)<\/strong> at 9PM<\/strong>, the play Michael Kohlhaas<\/em><\/strong> will be performed. It is a play by the \u00a0Yugoslav Drama Theatre, realized in accordance with the Heinrich von Kleist\u2019s work of the same name. It is dramatized by Fedor \u0160ili, directed by Boris Lije\u0161evi\u0107 and it already had its premiere this year in April. The play will also be on the repertoire for the 26th<\/sup> of August<\/strong>. This is also the last of the new adaptations on the XXXVIII \u201cTheatre City\u201d programme agenda.<\/p>\n

The novella Michael Kohlhass is the highlight of the Heinrich von Kleist\u2019s ,who is a true representative of the grand German Romanticism, prose work. Even now, after two centuries, it is borderline unbelievable how contemporary Kleist was when it came to his style of writing, themes and ideology of his one-of -a- kind canon.<\/p>\n

At the media conference, announcing the premiere of the play, the fact that this Kleist\u2019s work in particular was chosen for the play, was addressed. Lije\u0161evi\u0107 stated that from the moment he laid eyes on the aforesaid novella, he knew that was what he wanted to work on. This piece, as Lije\u0161evi\u0107 stated, fitted like a glove in this period of his life and instantly, the idea of how to adapt this famous novella for the theatre came to mind. Lije\u0161evi\u0107 reminded that this was a story about a man who was searching for justice in a system for which he hoped would, if not reward him, then at least provide protection. His ideas of justice, however, were crashed as he realized he would have to back down in front of one untouchable and powerful family-added Lije\u0161evi\u0107. We often think this is typical of society today, but as we can see, Kleist also had experience with such instances. Otherwise, he wouldn\u2019t have been inspired to write about it-explained Lije\u0161evi\u0107. Furthermore, Lije\u0161evi\u0107 pointed out that the moral of the story was that justice shouldn\u2019t reside at the hands of one man, but the society in general should have a say in things. The play leaves us with the questions such as: \u201cWhat one should do in cases when justice is unattainable\u201d and \u201cShould we back away from the already lost cause or soldier on till the very end\u201d. The play doesn\u2019t provide us with the answers, which should not be the function of the theater in any case, but what is important is that it poses the right kinds of questions-said Lije\u0161evi\u0107. Lije\u0161evi\u0107 wrapped up with the notion that what we thought was symptomatic of society nowadays, we see was even worse in the times long gone. \u201cThe times might have changed but people haven\u2019t\u201d.<\/p>\n

Along with the director Boris Lije\u0161evi\u0107, the authorial team of the play encompasses: Fedor \u0160ili and Milo\u0161 Kre\u010dkovi\u0107 (dramaturgy), Darko Nedeljkovi\u0107 (scenography), Marina Sremac (costume design), Kralj \u010ca\u010dka (music for the play) and Ljiljana Mrki\u0107 Popovi\u0107 (stage speech).<\/p>\n

Cast: Vojin \u0106etkovi\u0107, Miodrag Dragi\u010devi\u0107, Vojislav Brajovi\u0107, Nikola Rako\u010devi\u0107, Zoran Cvijanovi\u0107, Milo\u0161 Samolov, Milena Vasi\u0107, Aleksej Bjelogrli\u0107 and Kralj \u010ca\u010dka.<\/p>\n

Transportation is provided for the audience from the buss stop in front of the \u201cBracera\u201d Hotel<\/strong> at 7.30 PM<\/strong>. It is important to mention that there are free parking spots in the vicinity of the monastery and that the play will be performed on the open-sky stage. However, as the performance will take place at the altitude of about seven hundred meters, the evening temperatures are significantly lower than the ones in the Old Town.<\/p>\n

The same night at 6.30 PM<\/strong>, August 25th<\/sup><\/strong>, the play in a form of a guided stride Unreal City<\/em><\/strong> is to take place. It is written and directed by Vuk R\u0161umovi\u0107 and is the production of the \u201cTheatre City\u201d Budva. The venue for the play is the whole of the Old Town Budva<\/strong>.<\/p>\n

Along with the writer-director Vuk R\u0161umovi\u0107, the authorial team includes: Ana Tomovi\u0107 (assistant director), Jakov Muni\u017eaba (sound design), Andreja Hamovi\u0107 (the visual designs\u2019 author) and Marija Lije\u0161evi\u0107 as the narrator. Ana Pavlovi\u0107 and Sun\u010dica Babi\u0107 are also a part of the play.<\/p>\n

The oral testimonies of: Slobodan Bobo Mitrovi\u0107, Dalibor Antonioli, Jerolim Dragi\u010devi\u0107, Ljerka Dragi\u010devi\u0107, Dragan Stefan and Marija Pjeroti\u0107 were used as a documentary material.<\/p>\n

The play Ureal City<\/em><\/strong> will also run on the 26th of August<\/strong>, at the same time.<\/p>\n

The \u201cTheatre City\u201d Press-Office <\/em><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

On Sunday, August 25th, at the amphitheater of the \u201cSveta Trojica\u201d Monastery (Stanjevi\u0107i) at 9PM, the play Michael Kohlhaas will be performed. It is a play by the \u00a0Yugoslav Drama Theatre, realized in accordance with the Heinrich von Kleist\u2019s work of the same name. It is dramatized by Fedor \u0160ili, directed by Boris Lije\u0161evi\u0107 and…<\/p>\n","protected":false},"author":3,"featured_media":73252,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[307],"tags":[],"class_list":["post-73255","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arhiva-novosti-2024","category-307","description-off"],"_links":{"self":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/73255","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/comments?post=73255"}],"version-history":[{"count":1,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/73255\/revisions"}],"predecessor-version":[{"id":73256,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/73255\/revisions\/73256"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/media\/73252"}],"wp:attachment":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/media?parent=73255"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/categories?post=73255"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/tags?post=73255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}