{"id":73748,"date":"2025-04-15T11:40:36","date_gmt":"2025-04-15T09:40:36","guid":{"rendered":"https:\/\/gradteatar.me\/nastavljene-probe-predstave-ovo-nije-zemlja-za-zene-nove-koprodukcije-grada-teatra-iz-programa-kreativne-evrope\/"},"modified":"2025-04-16T09:56:41","modified_gmt":"2025-04-16T07:56:41","slug":"nastavljene-probe-predstave-ovo-nije-zemlja-za-zene-nove-koprodukcije-grada-teatra-iz-programa-kreativne-evrope","status":"publish","type":"post","link":"https:\/\/gradteatar.me\/en\/nastavljene-probe-predstave-ovo-nije-zemlja-za-zene-nove-koprodukcije-grada-teatra-iz-programa-kreativne-evrope\/","title":{"rendered":"REHEARSALS  FOR THE PLAY \u201cNO WOMAN\u2019S LAND,\u201d A NEW CO-PRODUCTION OF THE THEATRE CITY WITHIN THE CREATIVE EUROPE PROGRAM, HAVE BEEN CONTINUED"},"content":{"rendered":"<p>Rehearsals for the play <strong><em>No Woman\u2019s Land<\/em><\/strong> by French director <strong>Laurent Berger<\/strong> have been continued at \u201cCrvena komuna\u201d in Petrovac. The text, inspired by the short story <em>Sko\u010di\u0111evojka (The Jumping Girl)<\/em> by Stefan M. Ljubi\u0161a, was written by dramaturge <strong>C\u00e1tia Fa\u00edsco<\/strong>. The play is being developed as part of the <em>Sexual Theatre<\/em> project, which is supported by the Creative Europe program.<\/p>\n<p>In addition to the Public Institution Theatre City, the partners on this project are: the Bosnian National Theatre in Zenica, Paul Val\u00e9ry University Montpellier (France), and Faz Cultura in Braga (Portugal).<\/p>\n<p>The project addresses topics related to feminist theory, gender equality, and patriarchy \u2013 issues common to the countries participating in the project: France, Portugal, Bosnia and Herzegovina, and Montenegro. The result will be four performances, to be staged in these countries during 2025.<\/p>\n<p>The cast features Montenegrin actresses: <strong>An<\/strong><strong>\u0111<\/strong><strong>elija<\/strong> <strong>Rondovi<\/strong><strong>\u0107, <\/strong><strong>Milica<\/strong><strong> \u0160\u0107<\/strong><strong>epanovi<\/strong><strong>\u0107, <\/strong><strong>Milica<\/strong> <strong>Keki<\/strong><strong>\u0107 <\/strong><strong>Martinovi<\/strong><strong>\u0107, <\/strong><strong>Mirjana<\/strong> <strong>Spai<\/strong><strong>\u0107, <\/strong>and <strong>Marija<\/strong> <strong>Lije<\/strong><strong>\u0161<\/strong><strong>evi<\/strong><strong>\u0107<\/strong>.<\/p>\n<p>The Theatre City would like to thank the Public Institution Museums and Galleries of Budva for providing rehearsal space.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-73741 alignleft\" src=\"https:\/\/gradteatar.me\/wp-content\/uploads\/2025\/04\/st1-300x226.jpg\" alt=\"\" width=\"300\" height=\"226\" srcset=\"https:\/\/gradteatar.me\/wp-content\/uploads\/2025\/04\/st1-300x226.jpg 300w, https:\/\/gradteatar.me\/wp-content\/uploads\/2025\/04\/st1-1024x771.jpg 1024w, https:\/\/gradteatar.me\/wp-content\/uploads\/2025\/04\/st1-768x578.jpg 768w, https:\/\/gradteatar.me\/wp-content\/uploads\/2025\/04\/st1-1536x1157.jpg 1536w, https:\/\/gradteatar.me\/wp-content\/uploads\/2025\/04\/st1.jpg 1600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-73743\" src=\"https:\/\/gradteatar.me\/wp-content\/uploads\/2025\/04\/st9-300x226.jpg\" alt=\"\" width=\"300\" height=\"226\" srcset=\"https:\/\/gradteatar.me\/wp-content\/uploads\/2025\/04\/st9-300x226.jpg 300w, https:\/\/gradteatar.me\/wp-content\/uploads\/2025\/04\/st9-1024x771.jpg 1024w, https:\/\/gradteatar.me\/wp-content\/uploads\/2025\/04\/st9-768x578.jpg 768w, https:\/\/gradteatar.me\/wp-content\/uploads\/2025\/04\/st9-1536x1157.jpg 1536w, https:\/\/gradteatar.me\/wp-content\/uploads\/2025\/04\/st9.jpg 1600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-73745 alignleft\" src=\"https:\/\/gradteatar.me\/wp-content\/uploads\/2025\/04\/st10-226x300.jpg\" alt=\"\" width=\"226\" height=\"300\" srcset=\"https:\/\/gradteatar.me\/wp-content\/uploads\/2025\/04\/st10-226x300.jpg 226w, https:\/\/gradteatar.me\/wp-content\/uploads\/2025\/04\/st10-771x1024.jpg 771w, https:\/\/gradteatar.me\/wp-content\/uploads\/2025\/04\/st10-768x1020.jpg 768w, https:\/\/gradteatar.me\/wp-content\/uploads\/2025\/04\/st10-1157x1536.jpg 1157w, https:\/\/gradteatar.me\/wp-content\/uploads\/2025\/04\/st10.jpg 1205w\" sizes=\"auto, (max-width: 226px) 100vw, 226px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Theatre City Press Office<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rehearsals for the play No Woman\u2019s Land by French director Laurent Berger have been continued at \u201cCrvena komuna\u201d in Petrovac. The text, inspired by the short story Sko\u010di\u0111evojka (The Jumping Girl) by Stefan M. Ljubi\u0161a, was written by dramaturge C\u00e1tia Fa\u00edsco. The play is being developed as part of the Sexual Theatre project, which is&hellip;<\/p>\n","protected":false},"author":3,"featured_media":73740,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[287,290],"tags":[],"class_list":["post-73748","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sexual-theatre-en","category-sexual-theatre-news","category-287","category-290","description-off"],"_links":{"self":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/73748","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/comments?post=73748"}],"version-history":[{"count":1,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/73748\/revisions"}],"predecessor-version":[{"id":73749,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/73748\/revisions\/73749"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/media\/73740"}],"wp:attachment":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/media?parent=73748"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/categories?post=73748"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/tags?post=73748"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}