{"id":73771,"date":"2025-04-23T09:05:35","date_gmt":"2025-04-23T07:05:35","guid":{"rendered":"https:\/\/gradteatar.me\/zene-koje-se-oslobode-okova-tradicije-nailaze-na-kritiku\/"},"modified":"2025-04-28T12:37:36","modified_gmt":"2025-04-28T10:37:36","slug":"zene-koje-se-oslobode-okova-tradicije-nailaze-na-kritiku","status":"publish","type":"post","link":"https:\/\/gradteatar.me\/en\/zene-koje-se-oslobode-okova-tradicije-nailaze-na-kritiku\/","title":{"rendered":"Women Who Break Free from the Chains of Tradition Face Criticism"},"content":{"rendered":"<p>One of the main themes is the patriarchal pressure and the expectations imposed on women \u2013 how they should behave, how they should look, what they should desire.<\/p>\n<p>\u201cThrough working on this play, I was once again confronted with how much women are denied the freedom to decide for themselves \u2013 about their lives, their bodies, their choices,\u201d said Spai\u0107.<\/p>\n<p>The play <em>No Women\u2019s Land<\/em>, produced by the Theatre City and directed by French director Laurent Berger, based on a text by Portuguese playwright C\u00e1tia Fa\u00edsco, will have its premiere in Braga, Portugal, on May 8. Inspired by the short story <em>Sko\u010di\u0111evojka (The Jumping Girl)<\/em> by Stefan Mitrov Ljubi\u0161a, the play will be performed in Montpellier in early June, with the Montenegrin premiere scheduled for July in Budva, and a performance in Zenica in October.<\/p>\n<p>&nbsp;<\/p>\n<p>Actress Mirjana Spai\u0107 told <em>Pobjeda<\/em> that the play tackles important topics.<\/p>\n<p>\u201cThese are feminist theories, gender equality, and the issue of patriarchy \u2013 all presented through different cultural perspectives. The play carries a deep and clear message, positioning itself as a critique of a society that is still not fully inclusive, equal, or fair toward women,\u201d Spai\u0107 emphasized.<\/p>\n<p>In addition to Spai\u0107, the cast includes An\u0111elija Rondovi\u0107, Milica \u0160\u0107epanovi\u0107, Milica Keki\u0107-Martinovi\u0107, and Marija Lije\u0161evi\u0107.<\/p>\n<p>The play is the result of the <em>Sexual Theatre<\/em> project, which is being developed through the <em>Creative Europe<\/em> programme. Alongside the Theatre City, project partners include the Bosnian National Theatre in Zenica, Paul-Val\u00e9ry University Montpellier in France, and <em>Faz Cultura<\/em> in Portugal.<\/p>\n<p>Other than <em>No Woman\u2019s Land<\/em>, the result of this project will be three more plays, all to be presented during 2025 across these countries.<\/p>\n<p>&nbsp;<\/p>\n<p>Text by <a href=\"https:\/\/www.pobjeda.me\/pretraga?author=1107\">Andrija Radovi\u0107<\/a><\/p>\n<p>Published on April\u00a023, 2025<\/p>\n","protected":false},"excerpt":{"rendered":"<p>One of the main themes is the patriarchal pressure and the expectations imposed on women \u2013 how they should behave, how they should look, what they should desire. \u201cThrough working on this play, I was once again confronted with how much women are denied the freedom to decide for themselves \u2013 about their lives, their&hellip;<\/p>\n","protected":false},"author":3,"featured_media":73763,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[287,290],"tags":[],"class_list":["post-73771","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sexual-theatre-en","category-sexual-theatre-news","category-287","category-290","description-off"],"_links":{"self":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/73771","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/comments?post=73771"}],"version-history":[{"count":1,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/73771\/revisions"}],"predecessor-version":[{"id":73772,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/posts\/73771\/revisions\/73772"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/media\/73763"}],"wp:attachment":[{"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/media?parent=73771"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/categories?post=73771"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gradteatar.me\/en\/wp-json\/wp\/v2\/tags?post=73771"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}